By Jonathan Morris, Antiscribe.com
As a scholar who is always interested in popular culture, and especially the ways in which it can be interpreted and reinterpreted across cultural boundaries, I found the idea of seeing The Adventures of Tintin to be an intriguing prospect. On the one hand, intellectually it was interesting to see how an internationally popular character would be interpreted for American audiences, and on the other, given the pedigree of its filmmakers, I assumed it would at least be a fun watch. First illustrated by the Belgian artist Hergé over seventy years ago, the world-travelling kid reporter Tintin has long been a popular icon to many European, and especially French-speaking, countries, but otherwise has never really crossed the Atlantic’s cultural divide, standing as largely an unknown quantity to American audiences. And to be fair, outside of my own reading on the history of comic books and comic art, the character represents something of an unknown quantity to me as well. However, now that I have seen director Steven Spielberg and producer Peter Jackson’s long in development film version, the appeal of the character remains unknown to me, and I’m assuming it will to others. Whether it’s truly a faithful version of the character and his universe, I’m not one to say, but what I can say, is that as a film, and perhaps more accurately, as a film going experience, The Adventures of Tintin just isn’t very good. Continue reading ““The Adventures of Tintin” – The Antiscribe Appraisal”
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