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Monthly Archives: May 2012

The Misanthropic Holmes: “House” and “Sherlock”

“”It’s a basic truth of the human condition that everybody lies. The only variable is about what. The weird thing about telling someone they’re dying is it tends to focus their priorities. You find out what matters to them. What they’re willing to die for. What they’re willing to lie for.” – Gregory House, “Three Stories.” House

“I may be on the side of the angels…but don’t think for one second that I am one of them.”
-Sherlock Holmes, “The Reichenbach Fall.”  Sherlock

By Jonathan Morris, Antiscribe.com

Widely regarded as the greatest, the most influential, and certainly the most popular detective in the history of world literature, Sherlock Holmes and his appeal may just transcend that of the mystery genre itself.

You see, while the best of Sir Arthur Conan Doyle’s Sherlock Holmes stories were excellent mysteries centered on intriguing and compelling deductions, so much of what makes Sherlock Holmes beloved to the point of devotion for so, so many really lies in the character of the man himself.  The world’s first, and only, consulting detective has been interpreted and reinterpreted time and time again, with presentations both vast and varied, but what truly makes him so undeniably interesting is that he’s so unlike any other main character you’ll find in the literature of his time, or even of most times since.  Holmes typically doesn’t strive to win the love of a girl. He’s not interested in wealth or fame or power. And only on rare occasions does he take a true interest in upholding or protecting the greater good.  He eschews relationships, despises romance, and views the righting of wrongs as less a moral imperative than a source of distraction from, at best, boredom, and, at worst, habitual drug abuse. Read the rest of this entry

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Reconciling Lena Dunham’s GIRLS, for Both Critics and Fans

By Andrew Golledge, Antiscribe.com

After a nearly interminable amount of hype leading up to the premiere of HBO’s new sitcom, Girls, including various pieces in New Yorker, Time Out, Rolling Stone and endless blogs, we have finally seen its much heralded arrival come and go. Other episodes have followed and there is a rough consensus: it is a well-written, well-acted television show that dares to show young women as something less than glamorous fashion models who never use the bathroom.  What we’re left with now is not so much a TV show as a debate over its inherent cultural value, one predicated not on its content, but rather on its premise.

Set in New York City, the show follows four wealthy, white women in their early twenties as they navigate living, loving, etc. And based on just this short description, two camps of appreciation have emerged: First, the show is the next step forward in how the “fairer” sex is shown; it is a detailed portrayal of realistically characterized urbanite women behaving in realistic ways towards themselves, their friends, their families and their lovers. Second, the show is a regressive narrative, exclusively showcasing privileged whiteness in the world’s most diverse city, and is essentially another cog in a media-machine that continues to white-wash an increasingly multicultural society. Read the rest of this entry

MARVEL’S THE AVENGERS – The Antiscribe Analysis

By Jonathan Morris, Antiscribe.com

This past Saturday, thanks to a former classmate’s random act of kindness, I was granted the opportunity to see the much-anticipated Marvel’s The Avengers at its New York City première on the closing night of the Tribeca Film Festival.[i]  Now, as it happened, traveling to the Tribeca Performing Arts Center from my home in New Jersey took me through the PATH station at the World Trade Center.  Though I’ve wanted to go down there many, many times over the last few years, due to some deeply-held and overpowering emotions this was actually the first time I had visited the site since after September 11.  As I stepped out of the station, located at the foot of One World Trade Center, I gazed up at the still under construction Freedom Tower.  Though I expected to be slightly more overcome by emotion than I actually was, I nonetheless experienced a deep sense of poignancy that stayed with me as I headed over to the screening itself.

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