For me, Batman began with Adam West. As an aggressively physical boy of eight, each half hour installment of that venerated 60’s TV show was a smack dose of all the things an aggressively physical boy of eight needs: bright colors, capes and at least two massive fistfights for every twenty minutes of story. When Batman Returns came out in theaters around this time, I very desperately wanted to go but my parents deemed the film inappropriate due to its violence and menacing atmosphere. They hadn’t even let me watch the first one, but they teased, they teased me by buying me those damn movie-version action figures that only built up the mythology of the Bat-man in my impressionable little head. This hurts-so-good trend peaked with a Halloween costume:
Fortunately it was also around this time that Batman: The Animated Series began broadcasting, and if my love for Adam West’s Batman was analogous to being hooked on smack, then its animated cousin had me whoring myself out on the street for my next hit.
Though I may have been too young to fully appreciate it, Batman TAS showed me how the character could be interesting in manner way beyond fisticuffs. There was emotion, sinister character pathos, gorgeous art deco art direction and, of course, Shirley Walker and company’s stunning live orchestra scores for every episode. I was finally allowed to watch the Tim Burton movies, and although I loved them both and even developed a mild obsession with Returns, by that point Batman TAS was my main fix, the definitive version. Read the rest of this entry