“The truth is: there’s something terribly wrong in this country, isn’t there?”
Early last month, my friend and colleague Andrew Golledge and I took a trip down to Philadelphia, PA to take part in the yearly academic conference hosted by the Mid Atlantic Popular and American Culture Association (MAPACA). In addition to serving as a panel chair, I presented a paper on American film comedies released in the aftermath of the Great Recession, in which I discussed how certain comedies captured the zeitgeist of our current era, one defined by widespread frustrations with both our society’s class inequality and class immobility. In essence, I spoke about how these comedies, though meant to be funny, really expressed how most of the middle and working classes, because of the economic climate and the growing income gap with the wealthiest citizens, have come to see the once closely held belief in the American Dream as something of a delusion. The next day, with our presentations out of the way, Andrew and I explored the city, and made a specific point of visiting the settlement for “Occupy Philly,” the Philadelphia branch of the Occupy Wall Street (#OWS) movement established just outside the City Hall. Having yet to see the original New York version, I wanted to witness the movement firsthand, and see the kind of people who were actively protesting the same issues that I myself had only written about.
While I was there helping Andrew take photographs and generally soaking in the ambience of the information booths, placards, live musicians, and ad hoc lending libraries, I happened to look skyward to the uppermost spire of Philadelphia’s City Hall, upon which stands the statue of Benjamin Franklin, the man whose stature in the Eighteenth century was such that his mere affiliation with both the Declaration of Independence and the American Revolution gave them instant international credibility. At that time I wondered how Franklin, the man who so famously said, “we must, indeed, all hang together or, most assuredly, we shall all hang separately,” would think and feel about what these people were doing at the foot of this grand memorial. Would he have approved of the new “Occupation” movement, and seen it as reflecting the spirit of the ‘76, or would he dismiss it as the actions of a group of misguided malcontents? I don’t know the answer, but I couldn’t help but feel a certain visceral symbolism going on around me, as an icon of US history was forced to gaze down upon what the fading of the American Dream had wrought. Continue reading “#OWS for Vendetta: Viewing Occupy Wall Street through “V for Vendetta””
You must be logged in to post a comment.