By Andrew Golledge, Antiscribe.com
In Steve McQueen’s Shame we see a moment play out that we’ve seen in many films before it: the protagonist hitting rock bottom. For Shame, the protagonist is a wealthy, gorgeous white man whose rock bottom is having beautifully lit sex with two gorgeous women at the same time. It’s a testament to McQueen’s direction, Harry Escott’s score and Michael Fassbender’s performance that the scene isn’t laughable, but instead a moment of pained surrender that seems to punctuate a lifetime’s worth of addiction.
It is a sex addiction, one with which Brandon has seemingly lived without incident for years as he pursued some anonymous corporate career in midtown Manhattan. There is certainly little for it to distract from outside his work; when he’s not paying for high-end sex or picking up girls from bars and clubs, he’s enjoying mid-day masturbatory bathroom trips and late nights with left over Chinese take-out, beer and porn. Yet as appealing as all that sounds, it’s upon the unexpected moving-in of his significantly more extroverted sister, Sissy, that we begin to see how deeply rooted his need for sexual release is. Not only does her presence prevent him from engaging in his usual escapades at home, but he’s also confronted with what is most likely the cause of his addiction: their sexual relationship. Continue reading “New York City’s Cinema Sex: An Exploration of SHAME and the SHORTBUS”
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